So I just recently finished The Last of Us (yes, yes, I’m years late to this party) and I am…upset about it. I was really enjoying the game until the ending, at which point everything completely fell apart for me. I’ve never been the type of person to think that something needs a good ending to be good, but at least in this case, The Last of Us’s ending ended up sullying the whole experience for me.
Tamers was good, right? So the movies based off of Tamers are going to be good too, right? Tom, Buggy, Chris, and Maddy quickly realize that no, that’s not quite true as they discuss the Okinawa Board of Tourism, Minami’s Terrible Horrible No Good Very Bad Day, half-vanished dubs, and daddy issues. Read More
For better or worse, Crunchyroll is perhaps the biggest face of anime fandom in the English-speaking world. They currently have the largest catalogue of streaming anime, they provide news articles and blog features, and they have a heavy social media presence, to the point you could argue it’s much too heavy. They have their detractors, sure, but they’re unarguably one of the biggest players in the game. So when they announced they’d be holding their own convention, it was a logical step that plenty of people were excited about. But as I look through the guests they’ve announced to this point (the morning of August 8th), I’m worried that it’s going to be, as the title of this post implies, a fucking shitshow. Read More
The Fate franchise is a fantastic and exciting one that I absolutely love. On paper, that is. In practice, it’s something I think I’d really be into, but it’s tied up in a whole bunch of convoluted bullshit that I’ve approached the wrong way, dipping my toes into only enough pools to gain a vague, incorrect understanding of what’s going on. Read More
A number of years ago, a Japanese girl named Yurika Kino (currently a 19-year-old student living and working in Tokyo) spent part of the summer with our family as part of an international exchange program. She visited our family again recently, and when we got the chance to reconnect, I found out she’s a fan of anime. I decided this would be a good opportunity to interview an actual Japanese anime fan, since there isn’t much opportunity for the English speaking fandom to directly interact with Japanese fandom. I figured my listeners might have some questions they’d be interested in hearing the answers to, so I’m putting up a post for you to submit questions to be asked in an upcoming episode of Third Seat by the Window. Just leave a comment if you have a question you’d like asked, or if you’d prefer to ask more privately, shoot a message to my gmail at daladybugman.
Update: The recording date has been set for June 27th, so get any questions in before then!
When rereading Ursula K. Le Guin’s “The Ones Who Walk Away From Omelas” for my first Philosophy and Psycho-Pass post, I rediscovered a quote from it that stuck with me the first time I read it and that stuck with me again: “The trouble is that we have a bad habit, encouraged by pedants and sophisticates, of considering happiness as something rather stupid. Only pain is intellectual, only evil interesting. This is the treason of the artist: a refusal to admit the banality of evil and the terrible boredom of pain.”
Why do I bring this up? Well, because it’s basically impacted the way I’ve viewed Kuzu no Honkai, AKA Scum’s Wish, which as of this writing, is five episodes into its anime run. This Le Guin quote is basically the antithesis of Scum’s Wish, a show whose thesis is basically “Pain and suffering are tragically beautiful.” While most people have been praising Scum’s Wish (and rightfully so, as it’s a very well-produced show), I’ve been hesitant to do so. Read More
Sometimes you write things because you have something insightful or meaningful to say. But sometimes you write something that you know everyone else always writes and that you know people are still going to click on for the sole purpose of hoping you reinforce their own opinions. And you feel a little shame at selling out so. But you write it anyway because it’s fun to write and sometimes you just have to write something for you, goddammit.
This one’s a post about my favorite (and least favorite) anime of 2016 and you can bet your ass I’m writing it to satisfy me and me alone. Read More
Fairly recently, a debate broke out in the anime community after moderators on Reddit’s r/anime board banned discussion of the music video for Porter Robinson’s “Shelter” on the grounds that, despite being animated by a Japanese studio (A-1 Pictures), it’s “not anime” because of an American creator’s involvement. This upset many people who saw no reason not to define it as anime, and the whole “what exactly is anime” argument broke out again.
I think I’ve come to a pretty clear stance on where I draw the line that everyone’s trying to discuss (anime is an animated product in which culturally Japanese creators have the biggest influence), but I’m actually going to take another stance in addition to this: anime is not just anime. Read More
Chris and Buggy break down as they attempt to break down Kanojo ga Flag wo Oraretara, AKA If Her Flag Breaks, AKA Gaworare in this episode of MeganeToast. They’ve seen this abomination 7 times between the two of them and they still haven’t figured out what the plot is or how the flag system works. Or even what to use as the title of the show. Also, Buggy’s a bit intoxicated throughout the entire episode, but, I mean…can you really blame him? Read More
It started simply enough. I was excited for the premiere of Digimon Adventure Tri and was reminiscing with my friend Chris about the first season. I made a pretty straightforward suggestion: “Hey, Chris…do you want to try a podcast?”
“Hell yeah, I do,” was his response. I then extended the invitation to some friends on Facebook to get another cohost or two, and got a few responses. We hastily through something together, and on October 26, 2015, after adrenaline pushed me through a weekend filled with recording and editing, I published the first episode of The Digicast on YouTube.
It’s hard to believe it’s only been a year since then. In that time, we’ve put out 8 episodes of The Digicast, 7 episodes of Third Seat by the Window (5 as “The Bugcast,” with one of those being a special anniversary episode), 1 episode of MeganeToast (with the second one on the way soon), 2 experimental live episodes of Dropped!, and 2 guest spots on other podcasts. That’s 20 podcasts in the space of a year, which is way more than I thought we’d put out. And when I say “we” put out those episodes, I mean it, because, while I’m technically the guy running the ship for all these (except for the guest spots, obviously), I’ve done none of it alone. Read More