A number of years ago, a Japanese girl named Yurika Kino (currently a 19-year-old student living and working in Tokyo) spent part of the summer with our family as part of an international exchange program. She visited our family again recently, and when we got the chance to reconnect, I found out she’s a fan of anime. I decided this would be a good opportunity to interview an actual Japanese anime fan, since there isn’t much opportunity for the English speaking fandom to directly interact with Japanese fandom. I figured my listeners might have some questions they’d be interested in hearing the answers to, so I’m putting up a post for you to submit questions to be asked in an upcoming episode of Third Seat by the Window. Just leave a comment if you have a question you’d like asked, or if you’d prefer to ask more privately, shoot a message to my gmail at daladybugman.
Update: The recording date has been set for June 13th, so get any questions in before then!
Buggy, Tom, Chris, and Maddy finish up Tamers by asking the hard-hitting questions, like “how does one get drunk on milkshakes?” and “why does Ryo even exist?” Tom finally reveals the theory he’s been teasing since episode 1, and Chris reads a very NSFW creepypasta. Read More
Buggy and Chris reflect on what they both consider to be a fantastic year in anime, talking through all the big anime (as well as others they enjoyed) and various events that happened throughout the year.Read More
When rereading Ursula K. Le Guin’s “The Ones Who Walk Away From Omelas” for my first Philosophy and Psycho-Pass post, I rediscovered a quote from it that stuck with me the first time I read it and that stuck with me again: “The trouble is that we have a bad habit, encouraged by pedants and sophisticates, of considering happiness as something rather stupid. Only pain is intellectual, only evil interesting. This is the treason of the artist: a refusal to admit the banality of evil and the terrible boredom of pain.”
Why do I bring this up? Well, because it’s basically impacted the way I’ve viewed Kuzu no Honkai, AKA Scum’s Wish, which as of this writing, is five episodes into its anime run. This Le Guin quote is basically the antithesis of Scum’s Wish, a show whose thesis is basically “Pain and suffering are tragically beautiful.” While most people have been praising Scum’s Wish (and rightfully so, as it’s a very well-produced show), I’ve been hesitant to do so. Read More
Sometimes you write things because you have something insightful or meaningful to say. But sometimes you write something that you know everyone else always writes and that you know people are still going to click on for the sole purpose of hoping you reinforce their own opinions. And you feel a little shame at selling out so. But you write it anyway because it’s fun to write and sometimes you just have to write something for you, goddammit.
This one’s a post about my favorite (and least favorite) anime of 2016 and you can bet your ass I’m writing it to satisfy me and me alone. Read More
Perhaps the most common misconception about Psycho-Pass is that it depicts a dystopia. A dystopia, by definition, is an unpleasant or undesirable society. Perhaps a select few lead good lives, but in a dystopia, the majority of society is in ruin. It is easy to mistake Psycho-Pass as depicting a dystopia, as it focuses on the negative aspects of the world and the series explicitly references a large number of dystopian works, such as George Orwell’s 1984 and Phillip K. Dick’s “Do Androids Dream of Electric Sheep.” What it portrays is actually a utopia, just one that unfortunately comes at the expense of a few. However, viewed from a purely utilitarian standpoint, the Sibyl System has provided the ideal society. In fact, the chief of the bureau herself quotes Jeremy Bentham almost directly when she says in episode 13 that the Sibyl System has “achieved the greatest happiness for the greatest number of people.” Read More
Fairly recently, a debate broke out in the anime community after moderators on Reddit’s r/anime board banned discussion of the music video for Porter Robinson’s “Shelter” on the grounds that, despite being animated by a Japanese studio (A-1 Pictures), it’s “not anime” because of an American creator’s involvement. This upset many people who saw no reason not to define it as anime, and the whole “what exactly is anime” argument broke out again.
I think I’ve come to a pretty clear stance on where I draw the line that everyone’s trying to discuss (anime is an animated product in which culturally Japanese creators have the biggest influence), but I’m actually going to take another stance in addition to this: anime is not just anime. Read More